Visitors to Grounds For Sculpture observe how Magdalena Abakanowicz’s “Space of Stone”–a work that itself conveys a greater power–is enhanced by the long shadows of the sun sitting low in the sky.
Part of a series that includes major installations in Italy, Korea, Lithuania and Poland, the work seeks to “change sculpture from object to look at to space to experience,” writes the world-renowned sculptor. “I am confronting the imagination of man with the imagination of nature… What is the meaning of man’s creativity in comparison with nature’s wisdom? This coming together of two different powers creates the space to contemplate.
“Sculpture does not decorate but is part of the metaphoric language which conveys more than we can express in words,” she continues. “We must enter it, penetrate, become part. We learn about our scale and the scale of the surroundings.”
One way to get to “Space of Stone” is by walking through a red maple allée. Sunlight seeps Continue reading
The guards are back! Oh, yes, the living breathing ones, sure, but also Fred Wilson’s “Guarded View,” four headless mannequins made of wood, paint, steel and fabric, dressed as museum security guards, reflecting on the nameless identifies of those empowered to protect our cultural assets. On the day of the press preview for the new Whitney Museum of American Art in New York’s Meatpacking District, a security guard leaning near the label for this work moved quietly out of the way when she saw, from my squinting eyes, Continue reading
There are many ways to fall in love with Patricia Lange, beginning at the front lawn of her Hopewell home. Large, stainless steel modern sculpture and black Louise Nevelson-like formations keep company with circular enamel pieces that evoke the moon, and masks in mediums from aluminum to clay.
A grouping of clay masks leads you up a brick path to the front door, Continue reading
Standing on the rooftop of the Brooklyn Navy Yard, looking out on the Manhattan and Williamsburg bridges spanning the East River, we see water towers, smokestacks and red brick housing below us, and Freedom Tower in the distance. It has been called the best Continue reading
When Roman Polanski needed a building in which to set the satanic cults and witchcraft of the 1968 film Rosemary’s Baby, he chose the Dakota, at the northwest corner of 72nd Street and Central Park West. With its profusion of Gothic dormers and high gables, terra cotta spandrels and balconies, it suggested hidden passageways to the occult.
The Dakota also had a role in the 2001 Cameron Crowe film Vanilla Sky. Protagonist David Aames, played by Tom Cruise, owns two apartments in the Dakota, elegantly outfitted with Continue reading
Searching for my first New York apartment, I discovered Red Hook. I could barely afford anything on my editorial assistant salary — an apartment in Chelsea had the bathroom in the kitchen, and even Park Slope was beyond my means – but in this Brooklyn enclave I’d found a third-floor walkup with fluted columns separating the living room and dining room, and a view of the waterfront and lower Manhattan. Of the three bedrooms, one would be my darkroom and one would be my writing studio. I put down a deposit and Continue reading
New York City’s newest park, Freshkills – site of the former garbage dump – will soon be covered with native plants. The seeds for the wildflowers are being grown at St. Michaels Preserve in Hopewell.
When Olmsted and Vaux carved out a piece of Manhattan, and later Brooklyn, to create refuges of rolling hills, expansive meadows, wooded ravines, ponds and boathouses – the first landscaped parks in the U.S. – no one was thinking about non-native invasive plants like purple loosestrife and multiflora rose.
Today, a 30-year project is underway to convert New York City’s former Fresh Kills garbage dump – the world’s largest landfill, Continue reading
After more than 40 years at Mercer County Community College, Professor of Fine Arts Mel Leipzig can claim a large swathe of the population as students. Many have gone on to successful art careers, citing him as a major influence.
When he runs into past students, the first question he often asks is, “Are you painting?”
At least one of those students turned the question on him shortly after Hurricane Sandy hit in October 2012, when the lights went out for a week in his Glen Afton neighborhood: “Are you painting?”
A week without electricity could not stop the zealous painter – he opened the window shades and worked by natural light. “The only thing was, Hurricane Sandy forced me to go Continue reading
Whether he’s painting or writing, Tom Kelly is telling stories. Even when he gives directions to his home, there’s a story element. “Turn left when you get to the big tree…”
He hasn’t yet painted Hamilton Township’s big tree, but he has painted the Mercer Oak. Leafless, it sits in a field of snow, surrounded by its split-rail fence. But the big tree in the middle of Quakerbridge Road is on his list.
Kelly keeps a notebook of everything he wants to paint. This way, when he finishes a painting, there’s never any doubt about where he wants to go next. “I keep a short list of Continue reading
“Jean Cocteau” by Modigliani
One hundred years ago, the U.S. Post Office sent its first parcel post, Kafka stopped working on “Amerika,” Jim Thorpe relinquished his 1912 Olympics medical, Grand Central Terminal opened, the National Institute for Arts and Letters was founded, the first Avant-Garde show in America opened and the New York Armory Show introduced Picasso, Duchamp and Matisse to the American public.
And that was just the first two months of 1913!
Meanwhile, across the pond, Modern art and literature were getting underway in Paris. Guillaume Apollinaire established his reputation as a poet with the publication of “Alcohols” and crystallized the Cubist movement with his essay “The Cubist Painters.” Marcel Duchamp created his first readymade, Diaghilev’s Les Ballets Russes performed Igor Stravinsky’s The Rite of Spring, and Eugène Atget assembled his photographic album “The Zones.”
The exhibition 1913: The Year of Modernism at the Princeton University Art Museum March 23 through June 23 explores the Modernist moment in Europe through 50 prints, drawings, and photographs drawn primarily from its collections, as well as rare books and Continue reading